USING A SWITCHER FOR A MULTIPLE CAMERA SHOOT
Live switching an event can be a little overwhelming if you've never sat behind the controls of a switcher before. But if you keep it simple, you can nearly eliminate the need for post-production. In this segment we talk about getting video and audio into a switcher, the basics of switching, and adding live graphics over your shots. If you prepare properly and practice a bit, live switching can be an exhilarating experience.
EDITING A MULTIPLE CAMERA SHOOT
You've captured stunning footage and pristine audio, and now it's time to tie everything together into a cohesive edit. In this segment, we talk about labeling your clips, syncing your audio and video, setting up a multi-camera clip, and using the multi-camera editing tools. Knowing how prepare your clips and utilize the tools properly can help streamline the post production process, and get your project completed on time.
SHOOTING AND DIRECTING A MULTIPLE CAMERA SHOOT
With intensive pre-production and tight budgets, you're all set up and ready to shoot. Now the pressure is on to get great footage and capture the event. In this segment, we talk about last minute preparations, shooting techniques, and how to direct a crew. This is where the real fun begins, and all your skills will be put to the test.
CES 2013: CONTOUR ROAM2 & CONTOUR+2
We got a quick rundown of the new features for the Contour ROAM2, as well as the Contour+2.
CES 2013: JVC GC-PX100
The top of the line camcorder from JVC boasts an F1.2 lens, plus the ability to shoot 600 frames per second. Check out this hands-on look.
CES 2013: GLIDECAM IGLIDE
We got a hands on look at Glidecam's iGlide. This handheld stabilizer is designed for any camera or phone that weighs between six to twelve ounces.
CES 2013: POLAROID IM1836
With an android operating system and a sensor built into the lens, the Polaroid IM1836 was worth a closer look.
CES 2013: SAMSUNG NX300
A hands on look at the Samsung NX300. This camera shoots 2D and 3D video with the same lens. See what they had to say when we asked how it works.
SETUP FOR A MULTIPLE CAMERA PRODUCTION
With cameras, mics, and lights, you've got all the essential gear you need; but there's a few more choices left to make before shoot day. In this segment, we talk about choosing a multi-cam production workflow, ensuring good communication, and setting up on the day of the event. Choosing the right workflow and setting up properly will ensure that you're ready to roll when the event begins.
STEADICAM SMOOTHEE TEST FOOTAGE
Today's hands-free, wearable, mountable HD cameras produce near-professional video. However the use of these cameras still revolves around movement, and shooting professional quality videos just cannot happen without a little help in the stabilization department. Enter the Steadicam Smoothee from Tiffen, which we tested using a GoPro action camera. Read our full review.
CHOOSING GEAR FOR A MULTIPLE CAMERA SHOOT
You've toured the venue, extracted pages of details from the client, and you're ready to put your gear list together. Most of us would feel lucky if we even had one complete set of equipment in our arsenal, so you may need to borrow or rent additional gear to pull off a multiple camera production. In this segment, we talk about choosing cameras, support, audio gear, and lighting. Using the right gear is the core of a good shoot, and a great final product.
EXPORTING A MASTER FILE FROM FINAL CUT PRO X
The last step in the Final Cut workflow is one of the most important. After all, if your video never leaves the timeline, what good is it? In the final installment of our Final Cut Pro X training series, we show you how to export a master file, and upload to YouTube.
PLANNING FOR A MULTIPLE CAMERA SHOOT
Capturing a live event can be a formidable task. Whether it's a wedding, concert, or presentation, using a multiple camera setup can help ensure you get complete coverage, without missing important moments. In this segment, we talk about the advantages and disadvantages of a multi-cam setup, as well gathering the information you need about the event.Knowing when a multi-cam production is the best option, and how to plan for it can help make sure your next project covers all the action.
PARALLEL EDITING AND STORY ARC IN THE GODFATHER
Released in 1972, The Godfather redefined the gangster genre. Nominated for the best editing Academy Award, this film used parallel action, music, and effective storytelling techniques to create the baptism scene that exemplified the conflicted nature of Michael Corleone.
SPOTLIGHT ON THE DELL PRECISION T7600 WORKSTATION
In this video we look at the Precision T7600 from Dell. This beast of a computer won Videomaker's Best Products of 2012 for the workstation category for it's durable build, strong dedication to security, and endless expandability.
TRANSITIONS, COLOR CORRECTION, AND AUDIO SWEETENING IN FINAL CUT PRO X
Once you have your rough cut complete, it's time to add some polish. In part five of our six part Final Cut Pro X training series, we show you how to add transitions and effects, as well as how to color correct your footage and sweeten the audio.
TRIMMING AND EDITING CLIPS IN FINAL CUT PRO X
Now that you have your clips on the timeline, it's time to get into the meat of the editing process. In part 4 of our six part Final Cut Pro X training series, we show you how to work with the trim, ripple, roll, and blade tools to adjust the in and out points of the clips.
GOPRO HERO 3 BLACK EDITION TEST FOOTAGE
People are buzzing about the GoPro Hero 3 Black Edition. Our “First Look” test footage shows the camera seems to be holding up to the hype. Read our review of the Hero 3 and our recent interview with the GoPro team.
UNIQUE TRANSITIONS BRING A COMIC BOOK TO LIFE IN SCOTT PILGRIM VS. THE WORLD
Scott Pilgrim vs. the World combined comic books, music, video games, and more to showcase a new style of storytelling. Using innovative transitions, graphics, and sound effects, Edgar Wright and his editors helped bring the comic from the page to the screen.
PRODUCTION TIP: ONE TRICK TO MAKE EDITING EASY - HEAD AND TAIL
Every shot, whether with tape or not should include a little extra time between record start, record stop and your desired action. Your editor will thank you.
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